Planar 80mmf 28 Hft for Rolleiflex 6000 Review
Rolleiflex 6000'due south
I've owned the Rollei 6008 non-AF model with 80mm Zeiss lens for years, just I had to borrow specs from Wiki and Philip Greenspun. (and comments on Luminous Mural to a lesser degree) This is a VERY complicated camera, every bit you'll soon run into. Very technologically avant-garde for its time. And, yep, they do have a model that is fully compatible with digital backs. Just I merely used film. And I'1000 not a very techie guy. When most people recall of Rollei's, they think TLR's used past Helmut Newton or Vivian Maier . This is a very different photographic camera.
A Supercharged Hassy
The Rollei 6008 Integral is a medium format SLR, ala the Hasselblad 500 serial. The 6008 is part of the successful 6000 series which launched in the mid 80's. There was the SLX, 6006, 6002, 6003,(a cheaper 6008) The 6000-serial introduced major electronic features such as multiple light metering modes in body, making information technology light years ahead of my 503 Hassy. Which had just had a shutter failure. And so when I brought it in to be fixed, this was sitting in a display at Wall St Camera, then I said "what the hey!' (I ordinarily went to Adorama, but WSC had a quicker repair turn around on the Hassy)
Likewise had TTL auto wink metering, programmed exposure command, auto bracketing, the built-in roller dark slide, and eventually, autofocus. Although mine is manual focus. The Rolleiflex 6000 series blew away the others at that time , namely Hasselblad and Mamiya . Weirdly, they never caught on in a big manner. Probably because they were a bit too automated, and most photographers were uncomfortable depending on the rechargeable batteries they required. (guess that'south changed in the digital era) Image wise, the Zeiss lenses are identical to Hasselblad in every sense. So, the images are identical,…square format and all. Of course, eventually even Hassy's had batteries, as do all digital cameras. For the 6000 series, digital backs were besides available later on. The lenses comprise a fast linear motor driven leafage shutter (max. speeds 1/500 or 1/1000 sec.) and motor drive. Almost like a medium format Nikon F4s/F5 .
All the 6000s are Crawly
The Rollei 6008 is really an amazing automobile, and I think Hasselblad was caught off guard at the time. I accept no problems going dorsum and forth between a Hassy, Nikon F5 and this medium format auto bulldoze wonder.
Some say they were copying the vi×6 format of the Hassys. Just remember, the TLR Rolleiflexes used by a Helmut Newton, etc., are also vi×half dozen. Lenses, moving-picture show magazines and viewfinders are interchangeable. Each lens is a foliage shutter and diaphragm electronically controlled from the camera body. In fact, y'all tin get Rolleigon, Zeiss or Schneider- Kreuznach lenses. I use Zeiss, only was told (anecdotal), that the Schneider images would cut yous like a directly razor. I don't see how they could be sharper than the Zeiss, but I recollect the pricing is over the height for a 'maybe' incremental increment in sharpness or contrast. And, anyway, I shoot people/fashion, not detailed landscapes.
The Bad
I bad matter, (when new), was same focal length lenses were nigh a $1000 more. Present, they are well-nigh the same. The other deal is it has a rechargeable bombardment. This was the main objection by the Hassy crowd. However, I've never had a battery become bad or bleed on a chore, and accept spares anyway. I call up the "mechanical" everything guys were trying to over think a "what if" scenario.
Lots of pic backs are available, including 120, 220, 70mm, 6x6cm and 6×4.5cm, and Polaroid of grade. Moving a handle took intendance of the dark slide. You tin can't remove the dorsum without offset doing that. What a GREAT idea. No more forgetting the darkslide! The ISO dial coupled to camera makes information technology well-nigh impossible to not get the right ISO dialed in and coupled to the meter. But, one of the greatest things I like is only needing 1 back. Instead of having pre-loaded backs, I but have multiple pre-loaded inserts. And they are easier to change out than the Hassy A12 back.
It's truthful the Rollei backs were more expensive than Hasselblad'southward. But not anymore, and you only need relatively inexpensive "inserts". (run across video) And while the motor bulldoze tin only achieve 2 FPS, for medium format, that'south pretty proficient, and a Godsend for people/fashion. (and probably weddings)
Autoload Film
Loading film is almost equally easy as an F5 with it's autoloading motor bulldoze. Maximum sharpness is a breeze. (by keeping a totally flat flick plane with the autoload) Viewfinders are an easy change from the stove piping to the 45 and 90 prism finders. When non in the studio, the Rollei 6008 TTL flash works well with the Metz and compatible SCA module employed. Nonetheless, with the built in motor drive, 9.6V battery, etc. the camera is heavier than any 500 series Blad. (although much lighter than a Mamiya RZ67) Also, the action grip is optional,… but I consider a must have for handheld work. (in my opinion)
The meter LED's are quite visible, even in bright sun, and the viewfinder is about equivilent to a Hassy with an optional Britescreen. And then, no 3rd party screen is necessary. And metering is e'er spot on! Spot, Center Weighted, and Multi-Pattern. Almost like a Nikon F5. (Nikon is a little better on the Multi in backlighted situations,…but that was always Nikon's forte)
Rollei 6008 (and others) Joy
In essence, the camera is a joy to use. My only caveat would be that it is an electronic camera. And failure would, in all likelihood, exist catastrophic. (batteries are easy x 2d changeouts,…I'm talking nigh some excursion board,…which I've never heard of happening) Only then, so would your Canon 5D . A PDF datasheet from Rollei for the 6001, 6002 and 6008 is available Here .
Rollei made the 6001, 6002, 6003, 6006 and 6008 models. They are all equally awesome. And cheap right at present. Not easy to find, but if you honey the square, (or 645), format, this is the ticket. Having used both the Mamiya and Hassy,… it's "my opinion". Although a slightly kludgy and heavy Mamiya RB67/RZ67'due south illustrious 6×7 negative is hard to argue with. 😲
Rollei 6008
Rollei 6002
Rollei 6006
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Source: https://www.anatomyfilms.com/rollei-6008-6002-6003-6006/
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